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She appeared in 51 films in — almost one a week — with her first starring role being in The Violin Maker of Cremona opposite future husband Owen Moore.

Griffith, who launched La Badie's career. Many other film companies wintered on the West Coast , escaping the weak light and short days that hampered winter shooting in the East.

Actors were not listed in the credits in Griffith's company. Audiences noticed and identified Pickford within weeks of her first film appearance.

Exhibitors, in turn, capitalized on her popularity by advertising on sandwich boards that a film featuring "The Girl with the Golden Curls", "Blondilocks", or "The Biograph Girl " was inside.

Pickford left Biograph in December Unhappy with their creative standards, Pickford returned to work with Griffith in That year, Pickford also introduced Dorothy and Lillian Gish — whom she had befriended as new neighbors from Ohio [17] — to Griffith, [1] and each became major silent film stars, in comedy and tragedy, respectively.

This was a major turning point in her career. Pickford, who had always hoped to conquer the Broadway stage, discovered how deeply she missed film acting.

In , she decided to work exclusively in film. It was later known as Famous Players-Lasky and then Paramount Pictures , one of the first American feature film companies.

Pickford left the stage to join Zukor's roster of stars. Zukor believed film's potential lay in recording theatrical players in replicas of their most famous stage roles and productions.

The film, produced in , showed the play's Broadway actors reciting every line of dialogue, resulting in a stiff film that Pickford later called "one of the worst [features] I ever made Pickford's work in material written for the camera by that time had attracted a strong following.

Comedy-dramas, such as In the Bishop's Carriage , Caprice , and especially Hearts Adrift , made her irresistible to moviegoers.

Hearts Adrift was so popular that Pickford asked for the first of her many publicized pay raises based on the profits and reviews. Biographer Kevin Brownlow observed that the film "sent her career into orbit and made her the most popular actress in America, if not the world".

Her appeal was summed up two years later by the February issue of Photoplay as "luminous tenderness in a steel band of gutter ferocity".

Each enjoyed a level of fame far exceeding that of other actors. Throughout the s and s, Pickford was believed to be the most famous woman in the world, or, as a silent-film journalist described her, "the best known woman who has ever lived, the woman who was known to more people and loved by more people than any other woman that has been in all history".

Pickford starred in 52 features throughout her career. Pickford's fans were devoted to these "little girl" roles, but they were not typical of her career.

Given how small she was at under five feet, and her naturalistic acting abilities, she was very successful in these roles. Douglas Fairbanks Jr.

She declined, and went to First National Pictures , which agreed to her terms. Through United Artists, Pickford continued to produce and perform in her own movies; she could also distribute them as she chose.

The arrival of sound was her undoing. Pickford underestimated the value of adding sound to movies, claiming that "adding sound to movies would be like putting lipstick on the Venus de Milo ".

She played a reckless socialite in Coquette , her first talkie , [26] a role for which her famous ringlets were cut into a s' bob.

Pickford had already cut her hair in the wake of her mother's death in Fans were shocked at the transformation. Coquette was a success and won her an Academy Award for Best Actress , [28] although this was highly controversial.

Like most movie stars of the silent era, Pickford found her career fading as talkies became more popular among audiences. Her next film, The Taming of The Shrew , made with husband Douglas Fairbanks , was not well received at the box office.

They spoke on the radio show to prove that they could meet the challenge of talking movies. A transition in the roles Pickford selected came when she was in her late 30s, no longer able to play the children, teenage spitfires, and feisty young women so adored by her fans, and was not suited for the glamorous and vampish heroines of early sound.

Only one Technicolor still of her screen test still exists. She retired from film acting in following three costly failures with her last film appearance being Secrets.

Pickford used her stature in the movie industry to promote a variety of causes. Although her image depicted fragility and innocence, she proved to be a strong businesswoman who took control of her career in a cutthroat industry.

During World War I she promoted the sale of Liberty Bonds , making an intensive series of fund-raising speeches, beginning in Washington, D.

Five days later she spoke on Wall Street to an estimated 50, people. In a single speech in Chicago she sold an estimated five million dollars' worth of bonds.

She was christened the U. Navy's official "Little Sister"; the Army named two cannons after her and made her an honorary colonel.

In , Pickford and Mrs. Cecil B. DeMille helped found the Hollywood Studio Club , a dormitory for young women involved in the motion picture business.

Leftover funds from her work selling Liberty Bonds were put toward its creation, and in , the Motion Picture Relief Fund MPRF was officially incorporated, with Joseph Schenck voted its first president and Pickford its vice president.

In , Pickford spearheaded the "Payroll Pledge Program", a payroll-deduction plan for studio workers who gave one half of one percent of their earnings to the MPRF.

An astute businesswoman, Pickford became her own producer within three years of her start in features. According to her Foundation, "she oversaw every aspect of the making of her films, from hiring talent and crew to overseeing the script, the shooting, the editing, to the final release and promotion of each project".

She demanded and received these powers in , when she was under contract to Zukor's Famous Players in Famous Plays later Paramount. Zukor acquiesced to her refusal to participate in block-booking, the widespread practice of forcing an exhibitor to show a bad film of the studio's choosing to also be able to show a Pickford film.

In , Pickford's films were distributed, singly, through a special distribution unit called Artcraft. The Mary Pickford Corporation was briefly Pickford's motion-picture production company.

Griffith, and her soon-to-be husband, Douglas Fairbanks. Before UA's creation, Hollywood studios were vertically integrated, not only producing films but forming chains of theaters.

Distributors also part of the studios arranged for company productions to be shown in the company's movie venues.

Filmmakers relied on the studios for bookings; in return they put up with what many considered creative interference. United Artists broke from this tradition.

It was solely a distribution company, offering independent film producers access to its own screens as well as the rental of temporarily unbooked cinemas owned by other companies.

Pickford and Fairbanks produced and shot their films after at the jointly owned Pickford-Fairbanks studio on Santa Monica Boulevard. The producers who signed with UA were true independents, producing, creating and controlling their work to an unprecedented degree.

As a co-founder, as well as the producer and star of her own films, Pickford became the most powerful woman who has ever worked in Hollywood.

By , Pickford's acting career had largely faded. She and Chaplin remained partners in the company for decades. She had bought the rights to many of her early silent films with the intention of burning them on her death, but in she agreed to donate 50 of her Biograph films to the American Film Institute.

Pickford was married three times. She married Owen Moore , an Irish-born silent film actor, on January 7, It is rumored she became pregnant by Moore in the early s and had a miscarriage or an abortion.

Some accounts suggest this resulted in her later inability to have children. Pickford became secretly involved in a relationship with Douglas Fairbanks.

They toured the U. Around this time, Pickford also suffered from the flu during the flu pandemic. The couple's triumphant return to Hollywood was witnessed by vast crowds who turned out to hail them at railway stations across the United States.

The Mark of Zorro and a series of other swashbucklers gave the popular Fairbanks a more romantic, heroic image. Pickford continued to epitomize the virtuous but fiery girl next door.

Even at private parties, people instinctively stood up when Pickford entered a room; she and her husband were often referred to as "Hollywood royalty.

Foreign heads of state and dignitaries who visited the White House often asked if they could also visit Pickfair , the couple's mansion in Beverly Hills.

Dinners at Pickfair became celebrity events. Charlie Chaplin , Fairbanks' best friend, was often present. Joe Browns 2.

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