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It is fully consensual. This is always the easiest explanation for the heroine's continued beauty. She always has a way out, and she can get out of it anytime.

This usually includes such screenwriting directions as put condoms on the tentacle, and a smile on her face, if it's not particularly intense, and if it is, you are free to put an expression of agony on her face.

If there's a smile on her face, it's convention how to make the sex act fully consensual. It is no longer consensual, or they arranged to play without an out.

This won't help you with the moral Guardians. However, it solves many of the problems facing the screenwriter, that means you. Problems that remain are things like how to stop her from tearing the tentacles apart or otherwise escaping their grasp.

It's an offense from start to finish, and could happen on-screen to any character in it's universe for the simple fact that they are at the narrative location.

Another matter is how to protect characters from tentacle rape that would make a choice of victim that's unappealing to the audience or the author.

For example, this requires some sort of Justified Trope protecting men, children, and other species, such as non anthropomorphic dogs and even non-living entities, such as cars and wedding cakes, from being tentacle raped.

Overfiend also makes no attempt whatsoever to spare such entities as male hospital mates and even entire buildings, not just buildings full of people, but the ceilings and floors of the hospital building itself, from this fate.

One form of the Justified Trope is to simply say or imply in story that it's happening to men, women, and children in universe, and the out of universe camera shows anyone being tentacle raped on-screen, and only focuses on the most photogenic victims, reserving the preponderance of the screen time, space on-screen, and what passes for the plot for sex acts on female humans that are old enough to show being in such sex acts in Japanese obscenity law.

Overfiend uses this approach. One of its characters, Mr. He was there by written out of the script, and to my knowledge, no interest whatsoever has been taken in resurrecting him.

It's an offense from start to finish, and happens on some sort of isolated warzone and in the tentacle monster's sphere of influence there are only tentacle monsters and photogenic current or prospective victims, such as fit women.

How are tentacle monsters are only capable of striking ladyland? It is not obvious. Perhaps they are Discount Lesbians, members of a space alien species in which the photogenic situation is the most frequent sex act, and a non photogenic sex act is a rarity in the narrative location.

It's a fantasy story, a satire, or is no type of story at all, so you've completely abandoned any sort of plot consistency or logic from start to finish.

At this point, you may completely abandon any sort of story writing and world-building efforts. If I recommend this, it's on the basis that you're doing a one-scene work.

If you wish to go further than one scene, by all means, do so. However, if I make a recommendation on the basis that it is a multi scene work, I recommend that you take another approach.

The narrative location is in place where the sex act is plausible, on various bases, including the presence of tentacle ready to perform the indicated sex act, and the presence of photogenic humans or humanoids that are about to get that sex act.

This is the point where you decide in what condition the tentacle and the humans or humanoids will be. If you wish to make a stand on any controversy, it will probably be on this.

I don't want to get sucked into any controversies, I'm here to give writing advice, not get into a fight, so I'll just leave this particular point at that.

What is your human or humanoid type? Is it a human, a humanoid with tentacles, a blue or Green Skinned Space Babe, or another human-animal hybrid, such as half cow half human?

How flexible is the human or humanoid? Are they only capable of a missionary or doggy position, or can they bend around so far that they can stand on the small of their own back?

I recommend the former. What type of tentacle are you willing to depict? Is it just a smooth rod, or is there some sort of glans like tip or branching at the end?

What color or colors would you like it to be? Will it wear a condom? Is it small enough to easily fit two inside the orifice, or is it so large, it breaks their hips and their sternum?

A scholarly paper by Danielle Talerico [2] showed that although western audiences often interpret Hokusai's famous design as rape, Japanese audiences of the Edo period would have viewed it as consensual.

They would have recognized the print as depicting the legend of the female abalone diver Tamatori. In the story, Tamatori steals a jewel from the Dragon King.

During her escape, the Dragon King and his sea-life minions including octopodes pursue her. The dialogue in the illustration shows the diver and two octopodes expressing mutual enjoyment.

Contemporary censorship in Japan dates to the Meiji period. The influence of European Victorian culture was a catalyst for legislative interest in public sexual mores.

The legal proscriptions against pornography, therefore, derive from the nation's penal code. How this term is interpreted has not remained constant.

While exposed genitalia and, until recently, pubic hair are illegal, the diversity of permissible sexual acts is now wide compared with other liberal democracies.

Leaders within the tentacle porn industry have stated that much of their work was initially directed at circumventing this policy.

I thought I should do something to avoid drawing such a normal sensual scene. So I just created a creature. His tentacle is not a penis as a pretext.

I could say, as an excuse, this is not a penis; this is just a part of the creature. You know, the creatures, they don't have a gender.

A creature is a creature. So it is not obscene — not illegal. The earliest animated form of tentacle assault was in the anime hentai OVA Dream Hunter Rem , though the scene in question was excised when the OVA was re-released in a non-hentai form.

The first entirely non-hentai anime production portraying a tentacle assault would be anime OVA Guyver: Out of Control , where a female Chronos soldier named Valcuria voiced by Keiko Toda is enshrouded by the 2nd damaged Guyver unit that surrounds her in tentacle form and penetrates all orifices.

Numerous animated tentacle erotica films followed the next couple decades, with more popular titles such as 's Urotsukidoji , 's La Blue Girl and 's Demon Beast Resurrection becoming common sights in large video store chains in the United States and elsewhere.

The volume of films in this genre has slowed from the peak years in the s but continue to be produced to the present day.

In , Toshio Maeda 's manga Demon Beast Invasion created what might be called the modern Japanese paradigm of tentacle porn, in which the elements of sexual assault are emphasized.

Maeda explained that he invented the practice to get around strict Japanese censorship regulations, which prohibit the depiction of the penis but apparently do not prohibit showing sexual penetration by a tentacle or similar often robotic appendage.

The use of sexualized tentacles in live action films, while much rarer, started in American B-movie horror films and has since migrated back to Japan.

Lovecraft short story of the same name. Vice magazine identifies this as "perhaps cinema history's first tentacle-rape scene".

A decade later, Corman would again use tentacle rape while producing Galaxy of Terror , released in Arguably the most notorious example of tentacle rape to date, Corman directed a scene in which actress Taaffe O'Connell , playing an astronaut on a future space mission is captured, raped, and killed by a giant, tentacled worm.

The film borrows the concept of the "id monster" from the s film Forbidden Planet , with the worm being a manifestation of the O'Connell character's fears.

The scene was graphic enough that the film's director, B. Clark, refused to helm it, and O'Connell refused to do the full nudity required by Corman, so Corman directed the scene himself and used a body double for some of the more graphic shots.

Initially given an X-rating by the Motion Picture Association of America, tiny cuts were made to the scene which changed the movie's rating to 'R'.

An even more popular film from , Sam Raimi 's The Evil Dead , has actress Ellen Sandweiss ' character being attacked by the possessed woods she is walking in.

The evil spirit inhabiting the woods uses tree limbs and branches to ensnare, strip, and rape her, "entering" i.

Another film, this time dealing with the life of artist Katsushika Hokusai , was the Japanese made film Edo Porn , which featured the far-famed Dream of the Fisherman's Wife painting in a live action depiction.

In the film Possession also from a woman copulates with a tentacled creature, although the tentacles themselves are never explicitly expressed as penetrating her.

The popularity of these films has led to the subsequent production of numerous live action tentacle films in Japan from the s to the present day.

The theme has appeared more rarely in adult American cinema and art; one example is American artist Zak Smith , who has painted works featuring octopuses and porn stars in various stages of intercourse.

If there's a smile on her face, it's convention how to make the sex act fully consensual. It is no longer consensual, or they arranged to play without an out.

This won't help you with the moral Guardians. However, it solves many of the problems facing the screenwriter, that means you. Problems that remain are things like how to stop her from tearing the tentacles apart or otherwise escaping their grasp.

It's an offense from start to finish, and could happen on-screen to any character in it's universe for the simple fact that they are at the narrative location.

Another matter is how to protect characters from tentacle rape that would make a choice of victim that's unappealing to the audience or the author.

For example, this requires some sort of Justified Trope protecting men, children, and other species, such as non anthropomorphic dogs and even non-living entities, such as cars and wedding cakes, from being tentacle raped.

Overfiend also makes no attempt whatsoever to spare such entities as male hospital mates and even entire buildings, not just buildings full of people, but the ceilings and floors of the hospital building itself, from this fate.

One form of the Justified Trope is to simply say or imply in story that it's happening to men, women, and children in universe, and the out of universe camera shows anyone being tentacle raped on-screen, and only focuses on the most photogenic victims, reserving the preponderance of the screen time, space on-screen, and what passes for the plot for sex acts on female humans that are old enough to show being in such sex acts in Japanese obscenity law.

Overfiend uses this approach. One of its characters, Mr. He was there by written out of the script, and to my knowledge, no interest whatsoever has been taken in resurrecting him.

It's an offense from start to finish, and happens on some sort of isolated warzone and in the tentacle monster's sphere of influence there are only tentacle monsters and photogenic current or prospective victims, such as fit women.

How are tentacle monsters are only capable of striking ladyland? It is not obvious. Perhaps they are Discount Lesbians, members of a space alien species in which the photogenic situation is the most frequent sex act, and a non photogenic sex act is a rarity in the narrative location.

It's a fantasy story, a satire, or is no type of story at all, so you've completely abandoned any sort of plot consistency or logic from start to finish.

At this point, you may completely abandon any sort of story writing and world-building efforts. If I recommend this, it's on the basis that you're doing a one-scene work.

If you wish to go further than one scene, by all means, do so. However, if I make a recommendation on the basis that it is a multi scene work, I recommend that you take another approach.

The narrative location is in place where the sex act is plausible, on various bases, including the presence of tentacle ready to perform the indicated sex act, and the presence of photogenic humans or humanoids that are about to get that sex act.

This is the point where you decide in what condition the tentacle and the humans or humanoids will be. If you wish to make a stand on any controversy, it will probably be on this.

I don't want to get sucked into any controversies, I'm here to give writing advice, not get into a fight, so I'll just leave this particular point at that.

What is your human or humanoid type? Is it a human, a humanoid with tentacles, a blue or Green Skinned Space Babe, or another human-animal hybrid, such as half cow half human?

How flexible is the human or humanoid? Are they only capable of a missionary or doggy position, or can they bend around so far that they can stand on the small of their own back?

I recommend the former. What type of tentacle are you willing to depict? Is it just a smooth rod, or is there some sort of glans like tip or branching at the end?

What color or colors would you like it to be? Will it wear a condom? Is it small enough to easily fit two inside the orifice, or is it so large, it breaks their hips and their sternum?

The latter requires that the sex act is rape. Will the tentacle penetrate an orifice, and if so, which one and how deeply?

The tentacle can simply grab Gwen's clothed shoulders, or it can go all the way through someone. If it penetrates and is large, it may need to create a raised region where the tentacle is pressing the inside of them.

Leaders within the tentacle porn industry have stated that much of their work was initially directed at circumventing this policy. I thought I should do something to avoid drawing such a normal sensual scene.

So I just created a creature. His tentacle is not a penis as a pretext. I could say, as an excuse, this is not a penis; this is just a part of the creature.

You know, the creatures, they don't have a gender. A creature is a creature. So it is not obscene — not illegal.

The earliest animated form of tentacle assault was in the anime hentai OVA Dream Hunter Rem , though the scene in question was excised when the OVA was re-released in a non-hentai form.

The first entirely non-hentai anime production portraying a tentacle assault would be anime OVA Guyver: Out of Control , where a female Chronos soldier named Valcuria voiced by Keiko Toda is enshrouded by the 2nd damaged Guyver unit that surrounds her in tentacle form and penetrates all orifices.

Numerous animated tentacle erotica films followed the next couple decades, with more popular titles such as 's Urotsukidoji , 's La Blue Girl and 's Demon Beast Resurrection becoming common sights in large video store chains in the United States and elsewhere.

The volume of films in this genre has slowed from the peak years in the s but continue to be produced to the present day.

In , Toshio Maeda 's manga Demon Beast Invasion created what might be called the modern Japanese paradigm of tentacle porn, in which the elements of sexual assault are emphasized.

Maeda explained that he invented the practice to get around strict Japanese censorship regulations, which prohibit the depiction of the penis but apparently do not prohibit showing sexual penetration by a tentacle or similar often robotic appendage.

The use of sexualized tentacles in live action films, while much rarer, started in American B-movie horror films and has since migrated back to Japan.

Lovecraft short story of the same name. Vice magazine identifies this as "perhaps cinema history's first tentacle-rape scene". A decade later, Corman would again use tentacle rape while producing Galaxy of Terror , released in Arguably the most notorious example of tentacle rape to date, Corman directed a scene in which actress Taaffe O'Connell , playing an astronaut on a future space mission is captured, raped, and killed by a giant, tentacled worm.

The film borrows the concept of the "id monster" from the s film Forbidden Planet , with the worm being a manifestation of the O'Connell character's fears.

The scene was graphic enough that the film's director, B. Clark, refused to helm it, and O'Connell refused to do the full nudity required by Corman, so Corman directed the scene himself and used a body double for some of the more graphic shots.

Initially given an X-rating by the Motion Picture Association of America, tiny cuts were made to the scene which changed the movie's rating to 'R'.

An even more popular film from , Sam Raimi 's The Evil Dead , has actress Ellen Sandweiss ' character being attacked by the possessed woods she is walking in.

The evil spirit inhabiting the woods uses tree limbs and branches to ensnare, strip, and rape her, "entering" i. Another film, this time dealing with the life of artist Katsushika Hokusai , was the Japanese made film Edo Porn , which featured the far-famed Dream of the Fisherman's Wife painting in a live action depiction.

In the film Possession also from a woman copulates with a tentacled creature, although the tentacles themselves are never explicitly expressed as penetrating her.

The popularity of these films has led to the subsequent production of numerous live action tentacle films in Japan from the s to the present day.

The theme has appeared more rarely in adult American cinema and art; one example is American artist Zak Smith , who has painted works featuring octopuses and porn stars in various stages of intercourse.

From Wikipedia, the free encyclopedia. This article is about the pornographic genre. For the geometric phenomenon, see tendril perversion.

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